Descent Into Madness |
www.envisionentertainment.org |
Descent into Madness - a short film -
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|
Descent Into Madness |
Written & Directed By |
Danno Nell |
Micah James Whorton
as - MARK - |
|
Pierce Layne
as - LEWIS - |
|
Malcolm Sonsire
as the - GUN DEALER - |
|
Patrick Rosiser
as - Jock #1 - |
|
Nate Castor
as - Jock #2 - |
|
Alexander Anderson
as - MARKS BROTHER - |
|
Steven G. Brown
as - BROTHERS FRIEND - |
|
||
Executive Producer: | J. Daniel Nell | Contact: Danno Nell |
Produced By: | Jennifer Blaylock | |
Casting By: | Michelle Wright | www.actionacting.com |
1st A.D. | Jennifer Blaylock | |
Gaffer | Michael Worthen | |
Special Thanks to: | John Moyer | www.actionacting.com |
Justin Wright | ||
Golden Spike Firearms | ||
Shepherd Lighting & Grip | Phil Shepherd | |
David Stosich | ||
The Funk Family |
Descent into Madness
- a short film -
Written By Danno Nell
Copyright ©
2002
1 INT. MONTAGE OF MARKS ROOM -- DAY 1
Black & White (with slight cold blue tint)
Montage of Marks room (ESTABLISH ROOM), at first shows us
what we want to see inside a bedroom of a 17 year old. "FILL
IN THE BLANK".
Then the Montage begins to show things that at first cause
us to question what we just saw, like a duffel bag with the
barrel of a shotgun sticking out, papers on a desk that look
like schematics of a bomb and words like "anarchist",
"detonator", "pipe".
Each image reinforcing the last, ending on the computer screen
with a web design program running and the title of the web
"Why we did it".
INSERT SOUND: OF SEVERAL DOOR LOCKS BEING UNLOCKED.
END MONTAGE:
2 INT. MARKS ROOM -- CONTINUOUS 2
ANGLE ON
door to marks as the last lock is unlocked the thumb turn
rotates and the door opens.
BACK TO SCENE
The door opens to reveal Mark, a 17 year old "Goth" style
teenager. Although he wears a long black trenchcoat, baseball
cap on backwards, black shirt and Pants, along with military
style boots, he doesn't sport any piercings or make-up.
Mark holds a yearbook, scissors, and stick glue in one hand,
closing and multi-locking the door behind him. He then heads
over to a desk and sits down, placing the items down in front
of himself.
Coldly Mark looks into the large mirror that rises from the
back of the desk. He only stares at himself for a moment
before he proceeds to open a desk drawer and remove an
unmarked BOX. A box which is held together by several wraps
of tape.
Placing the box down on the desk he focuses his attention to
the yearbook, opening it to a per-marked page which clearly
shows the High School Football Team in uniform. This picture
is clearly circled in red ink.
FX: RED INK IN YEARBOOK IS IN BRIGHT RED.
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Written By Danno Nell 2.
Copyright © 2002
JOCK 1 (V.O.)
(sarcastically)
Hey tough guy!
JOCK 2 (V.O.)
Where you going?
JOCK 1 (V.O.)
Com'on we just wanna talk.
The sounds of Mark being thrown up against a locker and a
struggle accompanies the dialog.
JOCK 2 (V.O.)
(angrily)
Where do you think your going.
The sound of Mark being punched in the stomach and falling
to the ground. While both Jocks laugh.
JOCK 1 (V.O.)
Get up where just playing around,
(almost sincerely)
Come on shake it off.
The sound of Mark being punched again.
JOCK 2 (V.O.)
(laughing)
You Trenchies never learn do ya
faggot.
LEWIS (V.O.)
Hey! Leave him alone.
The sound of a struggle can be heard as Lewis jumps on one
of the Jocks, and is then immediately pummeled.
Using the scissors, Mark proceeds to cut out the picture and
glues it to the top of the mirror, then promptly turns to
another per-marked page and cuts out a picture of the
cheerleading squad, also circled in red, and glues it next
to the other picture.
Turning to another per-marked page, this time full of student
portraits, he begins to cut out a picture of a young lady
that has been circled in red ink.
FX: RED INK IN YEARBOOK IS IN BRIGHT RED.
As Mark cuts out the picture he notices a picture of Lewis
on a preceding page.
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Written By Danno Nell 3.
Copyright © 2002
ANGLE ON
picture of Lewis, a handsome young man, which is the only
picture that is really crisp and clean.
(ALTERNATE: Show every page we see being scribbles out with
a black sharpie, everywhere except the pictures that get cut
out and Lewis').
Mark looks at his watch.
ANGLE ON (SHOT FROM PROCEEDING SCENE)
WATCH #1: which reads 11:04am.
3 EXT. CITY SIDEWALK, BAD PART OF TOWN -- MOMENTS LATER 3
ANGLE ON
WATCH #1: which reads 11:04am.
Watch drops out of scene.
MASTER SHOT
City sidewalk is in ruff part of town, gutters are littered
with garbage, buildings are covered in graffiti.
Lewis, who like Mark is dressed in "Goth", leans against the
adjacent building smoking a cigarette. His hand drops down,
he to was checking the time.
INSERT SOUND: DEEP THUMP OF A CAR STEREO PLAYING RAP MUSIC
Lewis attention turn to the vehicle and his attention doesn't
waiver as the Low rider '72 Monte Carlo pulls up to the curb
in front of him.
ANGLE ON
the passenger in the low rider who is a late 20's LATINO MAN
dressed in standard gang paraphernalia. He turns the music
down.
BACK TO SCENE
Lewis checks out the surroundings before flipping his cig
and walking over to the car. Standing at the side of the car
the Latino man gestures for money. Lewis reaches inside a
pocket and pulls out a wad of cash and hands it over.
The Latino man looks at the roll of cash then up at Lewis,
noticing a SHOTGUN dangling inside the coat. Lewis immediately
pull the trench over to cover the weapon as they make eye
contact.
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Written By Danno Nell 4.
Copyright © 2002
Snapping his fingers a PAPER BAG is placed into Latino mans
hand from someone in the back seat, which he promptly hands
over to Lewis.
Lewis opens the bag and peers inside, reaching in he pulls
out a standard 9MM BULLET, looks at it for a moment the shakes
his head and hands it back to the Latino man who also looks
it over then again snaps his fingers and a hand full of EAGLE
CLAW (COP KILLERS) is placed in his hands. The Latino man
takes one of the bullets and holds it up. Lewis takes a look
and nods in the affirmative.
The Latino man take the hand full of bullets and holds them
out, Lewis raises the bag and Latino drops them in.
Gesturing to Lewis, Lewis nods in the affirmative. Ending
their business, the Latino mans turns the radio back up and
motions to his driver. The Vehicle pulls away.
Lewis takes the bag and disappears around a nearby corner,
reappearing moments later on a BMX bike. Lewis rides off.
4 EXT. MONTAGE CITY STREETS -- MOMENTS LATER 4
ANGLE ON
Lewis as he rides cold faced down the road staring straight
ahead. The scenery changes as he rides, until he's in an
upscale neighborhood.
Suddenly something grabs his attention and he looks off to
the side.
ANGLE ON
BILLINGS HIGH SCHOOL, which Lewis stares at for several
seconds before his attention returns to the road in front of
him.
5 INT. MARKS ROOM -- MOMENTS LATER 5
Mark is gluing another picture to the montage which now fills
the entire top of the mirror.
Placing the glue stick down, Mark reaches inside a pocket
and pulls out a LIPSTICK CONTAINER. Opening the container
reveals a BRIGHT RED LIPSTICK.
FX: LIPSTICK IS IN COLOR - BLOOD RED
Mark proceeds to write on the mirror: "THE BLOOD THAT FALLS
TODAY IS ON YOUR HANDS".
When finished Mark places the lipstick down and picks up the
box off the desk. He then heads over to the second story
window and pears out
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Written By Danno Nell 5.
Copyright © 2002
6 P.O.V. MARK FROM HIS BEDROOM -- CONTINUOUS 6
Looking down reveals two very YOUNG BOYS playing BASKETBALL
on the driveway.
Noticing Mark one of the young boys begins to wave.
ANGLE BACK ON
Mark who leans out the window, and for the first time his
cold face lightens, a hint of a smile forms and he waves
back.
RETURN TO P.O.V.
Lewis comes riding into the yard with the brown paper bag in
hand. Making eye contact he dumps the bike and heads towards
the house.
7 INT. MARKS ROOM -- CONTINUOUS 7
Mark leans back inside and heads across the room towards the
bedroom door.
8 INT. HALLWAY IN MARKS HOUSE -- MOMENTS LATER 8
A quite well dressed hall, with pictures and the like lining
the walls. We hear the many locks unlock, the door opens
where Mark appears into the hall. Without closing the door
he heads to another bedroom.
9 INT. LITTLE BROS. ROOM -- CONTINUOUS 9
A very clean elementary boys room, everything in its place.
But still screaming childs' room.
Mark enters and walks over to the side of the BRIGHTLY
DECORATED bed. Slowly Mark opens the box to reveal BASEBALL
CARDS. Entirely filled, he places the opened box on the bed.
Suddenly something catches his attention and he quickly looks
towards the door, where Lewis stands watching.
Giving Mark a slight nod, Mark looks back at the cards for a
moment then back at Lewis cold faced he nods and heads back
to his bedroom.
10 INT. MARKS ROOM -- MOMENTS LATER 10
As Mark and Lewis enter the room, Mark closes the door and
locks every lock. While Lewis grabs one of the TWO CHAIRS
and places it in the middle of the room and sits down. Lewis
stares at the mirror while Mark grabs the other chair and
sets it directly in front of Lewis. As he sits down there
knees touch.
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Written By Danno Nell 6.
Copyright © 2002
Placing the bag on his lap, Lewis pulls a 9MM SEMI-AUTOMATIC
PISTOL from it and hands it to Mark. Then he pulls another
one out.
Mark examines the gun by ejecting the clip and pulling back
the slide locking it open.
FX: Sounds of gun.
Lewis then reaches into the bag and pulls out a hand full of
eagle claws, holding them out, Mark takes one bullet, looks
it over and loads it into the clip. While Lewis also loads
one bullet and places the rest in the bag. Then places the
bag on the ground.
Both boys slide the magazine into their gun. Mark releases
the slide and Lewis activates the slide. Guns are loaded.
Mark nods at Lewis as if to say, "are you ready?" Lewis
returns the nod.
Both boys stand, placing their gun on the others left temple.
FX: BOOM echos
SMASH TO RED.
11 EXT. DRIVEWAY AT MARKS HOUSE -- CONTINUOUS 11
Boys still play basketball
ANGLE ON
Marks younger brother who with shock abruptly turns and looks
up at Marks window.
SMASH CUT TO:
12 INT. MARKS ROOM -- NIGHT 12
Mark, with sweat dripping down his sits up into frame. Eyes
wide open staring directly into camera.
His face bares the marks of a savage beating.
SMASH TO BLACK & CREDITS